Under Surveillance
Under Surveillance
Man no longer has his own space. The issue of monitoring people via cameras and mobile phones and stealing
personal data has become a reality and is taking place in many societies at the hands of a strong and influential
.leadership against a weak group of people
The greatest luck in this was Gaza, which is the only place whose residents live under strict and
deliberate round-the-clock surveillance and follow-up of civilians who live their lives normally. The siege
has been imposed on Gaza for more than two decades by land, sea and air.
The occupation in Gaza used many tools, the most important of which were Israeli aircraft, which
penetrated people's privacy and exposed their private parts by carrying high-quality cameras to
photograph people. It was used to photograph homes, public facilities, gardens, agricultural areas, the
beach and every sandy area in Gaza. I lived there for 28 years, and I and the people there suffered a lot
from the annoying sounds made by those reconnaissance planes for years in a row, and they
psychologically harm the residents, including those that developed and carried electronic machine guns
and bombs. They also killed people in public streets And in a park, and in hospitals, and in public
facilities, until he reached the bed and the toilet. Unfortunately, technology has developed to include
artificial intelligence, which has become a tool that helps the occupation get creative in killing and
assassination, as if they were playing a computer game and could end a life with the push of a button
For a person or even an entire family
The painting shows the state of forced displacement and ethnic cleansing practiced by the occupation on
the people, forcing them to leave their homes under a humiliating and painful threat
I draw these faces mixed with sadness, suffering and feelings of fear of the unknown when no one
knows where they are going You can look into their eyes and see different stories, stories and feelings. I
draw it with trembling, frightened, and sinuous lines, far from the natural form that is no longer natural.
.Rather, life has turned into frequent emergencies and life on hold
In other paintings we see expressive scenes that reflect imaginary images of features that changed due
to the harsh circumstances that made them tougher than others. We see symbolic forms in the works
that we may not see together in reality, but I see them in my mind and then put them in one painting to
create a state of shock in the viewer and create a dialogue between him and the work and for him to ask
.questions.

hamada elkept
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