48 malen meer is a repair that preserves the texture of a small found red object. The series consists of ceramic prints, each made by rolling the object in clay, one per day, as a ritual of care and repetition. What remains is a collection of tactile memories: textures that endure in clay. By rubbing the surfaces, the woven structure of the original textile becomes tangible again, as if holding the object itself. The work invites slowness, touch, and imagination, proposing repair as an act of care and preservation.