OH NO (IMAGES. WOMEN I ENVIED, WOMEN I LONGED TO BE. PEOPLE I THOUGHT OTHERS SAW ME AS, BUT I DIDN‘T WANT TO BE SEEN AS. HOW I WISH I LOOKED AT MY PROM. THINGS I THOUGHT I COULD EMBODY IN A MOMENT UNTIL I REALIZED MY ARROGANCE. HOW I THOUGHT I SHOULD APPEAR SO THAT YOU WOULD BELIEVE I WAS WITH ME. THINGS LIKE THIS.)

-DROPS (IMAGES. IDEAS/ PEOPLE I ENVIED, IDEAS/ PEOPLE I LONGED TO BE. HOW I IMAGINE TO LOOK IN THESE PANTS VS HOW I ACTUALLY LOOK IN THEM. THE LONGING TO BE HER FROM THE MOVIE LAST NIGHT. THINGS I THOUGHT I COULD EMBODY IN A MOMENT UNTIL I REALIZED MY ARROGANCE. THINGS LIKE THIS.)

OH NO (2024) en DROPS (2024) brengen een ambivalent gevoel over beelden naar voren. Ze onderzoeken de rol van figuratie, de emotionele waarneming van beelden en hoe geheugen en interpretatie onze kijk op de wereld beïnvloeden.