As a visual artist, Indra Wouters delves into the intricate and multifaceted realm of information and knowledge through her sculptures and installations. She zooms in on the infrastructures of industrial processes to fathom the scientific and technological principles underpinning modern production. In doing so, she also delves into the historical antecedents of these processes, shedding light on their origins and significance beyond mere pragmatic utility. Through technical drawings, scale models, and experiments, her research leads toward larger interpretations of industrial architecture and technologies. Her sculptures and installations, crafted from materials such as ceramic, concrete, wood, and metal, transcend the original purposes of the objects which they are based, transforming into abstract forms that explore new dimensions of scale and materiality.

Central to Wouters’ inquiry is the fusion of philosophy in science, sociology, and craftsmanship. She discerns a symbiotic relationship between craftsmanship and science, as both strive to apprehend and exert control over the observable world universe. However, Wouters also acknowledges a fundamental disparity between the individual comprehension inherent in craftsmanship and the intricate complexities of modern science. As science advances, it raises questions about whether one person can fully grasp its intricacies. As specialization grows, reliance on collective knowledge becomes more pronounced. Amidst her exploration lies a profound appreciation for the indispensable role of utilities in shaping societal infrastructure. As we navigate the complexities of science and technology, we encounter the intriguing world of the bigger production factories. Though predominantly concealed from plain view, their pivotal influence in shaping human existence remains incontrovertible. These architectural marvels seamlessly amalgamate utilitarian functionality with aesthetic sophistication, epitomizing the harmonious interplay between functionality and aesthetic elegance. Wouters casts her artistic practice on this phenomenon and attempts to unravel and re-embody fragments of this knowledge, starting a communal dialogue aimed at the nexus between art, science, and human existence.