an( )esotheric_logistic
an( )esotheric_logistic
transformation process: from industrial efficiency to sculptural emancipation
delta_form has its origins in robotic architectures dedicated
to industrial pick and place applications. Made from materials commonly used
in mechatronics (servomotors, aluminum profiles, sensors), the
machine breaks free through a morphology deliberately unsuited to
efficiency. This inadequacy contains an uncertainty that allows
other frames of reference to be invoked and a critical reading of the
relationship to technical performance to be undertaken.
medium movement: rock stacking and material synergy
Transfigured into a rock stacking operation, the machine develops
a mechanized stone stacking practice. Rock stacking—an
ancestral marking technique that has become a contemplative practice—is
automated by the device. This hybridization questions the
notion of contemporary landscape through artificial cairns generated according to
a minimal algorithm. The machine's agency produces
ephemeral lithic architectures without direct human intervention.
Mechanized practice reveals contemporary neoliberal esotericism:
a ritual of accumulation applied to the natural environment, sacralizing
human intervention. The installation exposes the logistical fetishism of
this practice and human expansionism: the accumulation of anthropogenic signs
even in sacred places, the exposure of the technological self
in non-urbanized environments. The automation of the contemplative gesture
reveals the hidden industrial dimension of supposedly
spiritual practices.
In situ architecture and endogenous anthropogenic materiality
The installation uses only anthropogenic materials
found on site. Fragments of concrete and metal debris become
hybrid cairns generated by automation. The importance of
non-intervention in the materials becomes fundamental: the machine
works with what it finds, developing contextual adaptability.
These algorithmic accumulations reveal
contemporary geological stratification and question our
coexistence with our material productions.

Manoah Camporini
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