Roseblood unfolded  from visits to abandoned quarries 

and terrils in Belgium. These are artificial landscapes,

often shaped by violent human interventions.

Nature slowly begins to return after these dis-

ruptions, reclaiming what was disturbed, yet the

traces of human activity remain etched into the

terrain. The landscpae carries these interventions

as scars: permanent, visible reminders of what

took place.

That series marked a turning point in how I star-

ted working with nature - not just as a visual

element, but as a symbolic and emotional space.

Since then natural environments or elements have

often appeared in my work, not necessarily as di-

rect representations of landscape, but as metap-

hors for healing and harm, resilience and fragility.

Nature, for me, often embodies a subtle ten-

sion - a place where something feels unsett-

led or on the edge of change. It holds a duality:

it is a site of recovery, but also of vulnerability.